Blackmagic Design DaVinci Resolve Studio

by Blackmagic Design

Raspoloživost: Dostupno

SKU

DV/RESSTUD

*NOTE Your purchase will provide you with the most recent version of Resolve Studio.

401,49€/3.025,00 kn 321,19€/2.420,00 kn

Tečaj konverzije: 1 EUR = 7,53450 HRK

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Blackmagic Design DaVinci Resolve Studio

Opis

DaVinci Resolve Studio, from Blackmagic Design, is a renowned advanced color correction software and now also a full-fledged, non-linear editing system — it even allows to you to import projects from other NLEs, such as from Premiere Pro, as XML files. You can edit, color correct, finish, and deliver all from one system. Moreover, Resolve is highly sophisticated and oriented at the same time toward the individual user, large collaborative teams, and the growing studio owner. It's completely scalable and resolution independent, so it can be used on set, in a small studio, or integrated into large production pipelines.

Resolve is a node-based color grading system — nodes being similar layers — where each node can have color correction, isolated areas (power windows), and effects, and in which unlimited numbers of nodes can be joined together sequentially or in parallel. In all, you can combine grades, effects, mixers, keys, and plug-ins in any order to create limitless color effects and unique looks. This is the core of Resolve's color grading functionality, and there are hundreds of advanced features and capabilities in addition, such as grading from raw Files, automatic color matching, and 3D tracking.

The editing functionality in Resolve is designed to handle TV dramas, commercials, multi-camera productions, and all other project types from the smallest to largest. The trimming tool is context sensitive, meaning that based on where you position the mouse cursor on the timeline, Resolve will automatically switch to the trimming function you need, so you can ripple, roll, slip, slide, or extend and shorten your footage without having to manually switch tools. As for collaborative support, Resolve allows multiple people to work together on the same timeline at the same time. This is a major time benefit when each user is assigned a specific task. As with the grading side, the editing side also has hundreds of other features and capabilities.

Resolve is scalable and supports multiple GPUs all working together. You can use multi-GPU systems such as the Mac Pro or build a dedicated Windows system with up to 3 GPUs. Resolve also features advanced media management tools designed for editorial and color workflows. You can move, copy, consolidate, relink, and archive media, timelines, or entire projects. Resolve's clone tool will back up your valuable camera files on location so you can copy camera files to multiple destinations with checksum validation for safekeeping while you're still on set.

Resolve is also capable of editing metadata, syncing sound, and prepping footage for editing, grading, or visual effects. Resolve supports almost any format, and also includes powerful delivery options for versioning, finishing, and delivery at any resolution and format, so you can export for various destination types. Resolve works from your camera originals so your finished master is a first generation graded copy of the original camera raw files. Additionally, exporting can take advantage of remote rendering, using another Resolve on the network to render the job.

All image processing is at 32-bit floating point and Resolve uses a unique YRGB color space for grading. These two features combine to give you a dramatically wider color correction range, and you'll be able to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks.

Resolve was designed with the ability to integrate with dozens of other applications so that you can focus more on your project. Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro, and other editing, audio, and VFX and motion graphics software. You can edit your project on any system, then link back to your full quality camera raw files using XML, AAF, or EDL and finish in greater bit depth with Resolve. You can also use AAF export to send a project to ProTools with discreet audio clips and a single layer video mix down for audio finishing. Get support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, 3D tools, remote and multi-user collaboration tools, and more with DaVinci Resolve Studio. For an even more enhanced workflow, you can incorporate the optional Resolve Advanced Panel, which is an award-winning control surface for more precise color correction.

DaVinci Resolve 15 now has full Fusion visual effects and motion graphics built in! The Fusion page gives you a complete 3D workspace with over 250 tools for compositing, vector paint, keying, rotoscoping, text animation, tracking, stabilization, particles and more. With new Apple Metal and CUDA GPU processing, the Fusion page is faster than ever! Fairlight audio gets a massive upgrade with new ADR tools, audio normalization, 3D panners, audio and video scrollers, a sound library database, and built in cross platform plug-ins such as reverb, hum removal, vocal channel and de-esser. There are also dozens of new features and improvements that editors and colorists have asked for. These include a new LUT browser, shared grades, multiple playheads, Super Scale HD to 8K up-rezzing, stacked timelines, on-screen annotations, subtitle and closed captioning tools, better keyboard customization, new title templates and much more!

Color

Automatic Processes

Automatic color match grade from one to many clips
Automatic 3D perspective object multi-point tracker

User Interface

Offline clip icon displayed if media is missing from media pool or storage

Custom Curves Grading

Custom Curves with bezier handle control
Image contrast adjustable with flexible curve end points
HDR curve control for extended dynamic range images

Secondary Grading

Additional advanced 3D keyer with multiple additive isolation qualifiers
Keyer Finesse controls also include Clean Black and Clean White

Power Windows

Conversion of Circle, Linear, and Polygon windows to PowerCurve window

Automatic Object Tracking

3D Perspective object tracking
Support for insertion and deletion of window shape points even after tracking analysis
Automatic keyframe blending between PowerCurve/Polygon window control points

Internal and External Key/Matte

Connect RGB to KEY node and KEY to RGB node for extended key grading control

Fully Nodal Processing Architecture

Quick and simple node graph clean up tool

Compound Node Flexibility

Multiple nodes can be combined and displayed as a single node
Compound nodes include one full featured downstream corrector
Compound nodes can be opened and edited and saved
Store Memories, Stills, and PowerGrades as Compound Nodes
User locks of Compound Nodes permit sharing without revealing internal structure

Clip Version Grading

Delete unused version option

Clip Group Grading

Pre or Post clip group grade can be collapsed into the main clip node graph

DaVinci Managed Colorspace Grading

User selection of Source, Timeline, and Output color space
Mix REC.709, BMD Film, Linear, 2.2 gamma, etc. with a consistent monitor and output color space
REC.709 timeline default simplifies grading with multiple source color spaces

ACES Colorspace Grading

ACES Colorspace v1.0 transform support

Panasonic Varicam Grading

Real-time decoding and playback of Panasonic Varicam 35 clips
Automatic color space and decode config using camera metadata

Copy Grades Between Clips

Add Correction and Add Correction With Keyframes can be selected from one thumbnail to multiple

Ripple Grades Between Clips

Ripple from one clip to many
Ripple from one clip to selected group
Ripple and append new node to many clips

Edit

Editing

Support for audio plug-ins
Simplified Option click single track Auto Track selection
Enhanced Edit/Media playback to prioritize audio for slow codecs or complex grades

Flexible Full Featured User Interface

Flexible User Interface with top down selections of display layout
Select just Timeline and viewers or add Inspector, mixer, media pool and effects as you need
Fit to screen toggles on Edit and Color pages with position memory
Title and transform motion paths are visible and editable on the viewer
Motion paths include bezier handle control
Reference video comparisons to timeline with SDI output

Multi-Cam Editing

On-the-fly optimized media for smooth multi-cam playback
Sync clips by timecode, in/out point, audio, or manually
User selection to switch or cut to alternative angle
User selection to for video only, audio only, or both
Angle selection by mouse or keyboard
Cuts honor Link Selected modes

Timeline and Viewers

Option clicking to split video and audio during roll

Trim Edits

Multi-selection trimming of edits or clips
Asymmetrical trimming of multiple clips on the same track
Double click trim modes to place in source viewer

Audio

Real-time audio playback of multiple audio channels even in reverse play
Smooth audio playback for frame-by-frame playback, nudge, and JKL fast and slow stepping
Smooth audio playback for JKL and dynamic JKL trimming
Constant Audio sync with video for easy to the word editing
Re-sampled audio for speed changed clips
Support for 32, 44.1, 48, 88.2, 96, 192 kHz audio
Audio only clips can be edited and rendered
Support for audio Automation controls

Audio Plug-In Support

Support for a wide range of VST and AU plug-ins
Multiple plug-ins can be applied per clip or per track
Support for a wide range of VST and AU plug-ins
Edit page inspector used for most plug-in controls
Support for plug-in user UI controls

Timeline List

Timelines can be nested and edited just like compound clips
Nested Timelines can be decomposed and re-edited
Timelines and timeline folders consolidated into Media Pool for simple select all operations

Transitions

Curve editor for transitions provides ultimate flexibility and effect control

Scalable Power

Quality Image Processing

DaVinci Color Managed Color Science

Dynamic Multi-Point Render Cache

User selectable render cache of clips in multiple layer composite
User selectable Render Cache for final render option

Media

Real-Time Mixed Image and File Support

Optimized media and proxy support for using the same project on systems with different performance

Media File Flexibility

Media Storage Favorites to quickly find commonly used folders
Generation of subclips from the Media Storage or within the Media Pool
Media Pool Smart Bins with non-destructive sort filters and nested selection criteria
Display name column in Media Pool offers simple-to-advanced tag based naming on any or multiple clips
Drag and drop clips from desktop to Media Pool bins or Timelines
Simple one folder re-link operation for offline clips

Media Management

Clips and Timelines can be copied, transcoded, moved, and deleted via media management rules
Copied, transcoded, and moved clips can be automatically relinked to current timelines
Full source clips, as used or used with handle controls for media management operations
LUTS, stills, and cache can also be archived and restored

Camera Codec Support

Panasonic Varicam v35 and HS

Delivery

Delivery

Export to ProTools with separate audio clips, single layer video mix-down, and AAF
Render Audio only clips
Render Sony XAVC Intra

Control

Multiple Panel Support

Supports Tangent Devices Wave and Elements, JL Cooper Eclipse, Avid Artist Color, and Oxygentec ProPanel control panels

All Features

Workflow

Grade Live On Set

Grade real time video direct from the camera
Primaries, secondaries, power windows and more
Confirm lighting and camera angles on set
Save looks that can be applied to you camera raw files during grading
See exactly how your shots are going to look when finished

Post Production

Vast native camera file and video format support
Work from your camera original files without conversion
Edit and grade virtually any type of footage in real time

Collaborative Editing and Grading

An editor and multiple colorists can work on the same timeline from different workstations simultaneously to complete a shot
Break down a large job into parts that can be worked on separately

Editing and Grading for Photographers Turned Cinematographers

Raw image and color grading controls
Adjust images precisely or use a color chart to automatically balance your footage

Remote Grading

Choose your favorite colorist for the job, wherever they are in the world
Work over a regular Internet connection, in real time

Multi-Camera Productions

Resolve's multi-cam tool lets you sync cameras manually using marked points or automatically using timecode or audio waveforms
Switch cameras as if cutting live
Go back and refine the cut with b-roll or alternate takes, or intercut with other multi-cam timelines

Episodic Television

Resolve's compatibility with editing systems lets colorists start grading before the final edit is complete
Every time changes are made in editorial they can be sent to Resolve and the timeline will update automatically
You can work right up to the on-air deadline and deliver the final master as soon as you complete your grade

Supporting Freelance Editors

Resolve simplifies and facilitates creating files and round tripping projects with editorial
Manage media, sync audio, and convert raw footage into ProRes or DNxHD proxy files for use in FCP X, Avid, or Premiere
Track the relationship between proxies and your original footage for finishing
After editing Resolve will automatically reconnect the edited sequence to the original camera raw files

Color

Unlimited Grades

Node based processing; each node can have its own color correction, etc.
Join nodes sequentially or in parallel
Combine grades, effects, etc. in any order
Collapse nodes into a compound node

Grading from Raw Files

Extensive control over raw images
De-bayer with highlight recovery, white balance, color space, and gamma controls
Fine-tune exposure, sharpness, etc.

Primaries

Balance an image prior to color correction with the primary color corrector
Set lift, gamma, and gain with Resolve's YRGB color space and ACES 1.0

Precision Secondaries

Target specific areas of the image
Drag over an area to pull a clean key and isolate areas
For complex grades, Matte Finesse controls ensure everything blends seamlessly

Automatic Color Match

Automatic primary base grade by analyzing shots containing standard color charts
Applicable to film, video, or raw footage
Set source gamma, target gamma, and target color space for the chart used
Identify the color chip chart and Resolve will balance the shots, even if from different cameras, etc.

Automatic Shot Matching

Select similar clips, and Resolve will analyze the image and give you balanced images; then customize each clip

Power Windows

Isolate specific areas in the image
Create an unlimited number of Power Windows
Combine Power Windows using matte and mask controls
Automatically follow objects using multi-point tracker

Stabilization and 3D Tracking

Lock Power Windows to on-screen objects with perspective matching
Auto tracking, no keyframes

Optical Quality Reframing

Sub pixel processing retains quality when you reframe, zoom, etc.
Fix shots in full quality

RGB Mixing

RGB mixer grading control of red/green/blue gain for each color, blend, and mix channels
Swap inputs for extreme effects or make sections of your image monochrome

Unique YRGB Color Space

Deeper bit depths combined with YRGB control provide a wider color correction range
Adjust luminance gain without rebalancing whites/mids/blacks

ACES 1.0

Support for DaVinci's color managed timelines and ACES 1.0 linear standard

Custom Curves and Soft Clip

Define a curve using Bezier handles
High and low soft clip processing and softness - per channel or ganged
YSFX luminance and saturation effects supported

HSL Curve Grading

Adjust hue, saturation, or luminance on a curve graph with an NLE-style grading workflow
Pick colors from the image and use bezier handles for curve control

Creative Tools

Add OpenFX plug-ins or built-in gaussian blurs, sharpen, and mist on unlimited nodes in real-time
Image sharpening and mist effects for finer atmosphere and texture control

Real-Time Noise Reduction

Spatial and temporal noise reduction
Noise reduction within Power Windows

Open FX Plug-Ins

Supported on the editing timeline and in color nodes
3rd-party plug-ins supported
32 bit float GPU based processing - get results even when using 3rd-party plug-ins

Gallery Stills and Grades

Save/share stills, copy your own grades
Copy primary/secondary grades and compound nodes to individual/groups of/all clips

Real-Time 3D Stereoscopic

Edit, grade, display 3D stereoscopic timelines in real-time
Side by side, line by line, checkerboard, and anaglyph comparison
Auto 3D alignment to remove color or alignment errors
Adjust convergence pan/tilt/zoom, and immediately see the results
You can also begin with a 2D timeline and copy the grades to the other eye for trimming

Move Grades Between Systems

Grade and finish projects started in other NLEs
Support for ASC decision lists

Edit

Comprehensive Editing Tools

Full multi-track support with fast and familiar editing tools
Keyboard shortcuts and toolbar buttons to mark edit points, insert tracks, delete clips and more
Drop clips into the timeline or drag them over the edit pop up window to quickly insert, replace, etc.

Context Sensitive Trimming

Fine-tune your edit using context sensitive tools
Ripple, roll, slip, slide, extend, or shorten edits without changing tools, depending on where you place the cursor
Trim, slip, or slide multiple shots on the same track simultaneously either in the same direction or asymmetrically

Multi-Cam Editing

Quickly cut programs while playing back multiple sources in real-time
Synchronize camera angles based on timecode, in/out points, or automatically based on audio waveforms
The source monitor displays a grid containing the camera angles and plays them back in sync while you make cuts
After your first cut, you can go back and switch to a different camera angle, change audio tracks, or trim clips

Multi-Layer Timeline

Multi-track timeline lets you layer titles, motion graphics, and blue or green screen shots over background video tracks
Add notes to entire segments or a specific frame in the timeline using color coded flags and markers
Timelines can be nested, edited together, and expanded or collapsed in place

Mixed Format Timeline

Mix and match different formats and resolutions in the timeline with real-time sizing and playback
Real-time de-bayering and processing, regardless of the native format
Edit wide dynamic range raw files or codecs without ingesting or transcoding and without losing quality while making proxies

Creative Transitions

Multiple built-in real-time transitions including cross and additive dissolves, wipes, and dip to color
Align transitions on the center, start, or end of the edit
Adjust transition duration dynamically and set ease in and out points
Transitions from FCP X and other NLEs come in via imported XML and AAF's
Use your favorite OpenFX plug-in for those extra special transitions between clips or tracks

Optical Quality Re-Framing

Reframe shots directly in the edit page and take advantage of optical quality sub pixel image processing in real-time
Resize 4K images to HD and reformat SD footage for your HD and 4K projects

Optical Flow Retiming

Resolve features nearest frame blend and an "Optical Flow" image processing engine
Advanced algorithms create in-between frames in real-time
Select the smoothest retimed clips whether you create slow or fast motion speed changes

Custom Titles

Title tools for creating lower thirds, scrolling text, and title cards with drop shadows, backgroSet text position, tracking, and line spacing, or adjust the stroke color and opacity to create professional titlesunds, and more
There are composite modes, title transforms, and cropping tools, and you can even import titles from other NLEs

Media

Managing Media

Centralized key functions on the media page
View and play back files, sync sound, and trim longer shots into shorter manageable clips
Organize media into bins and enjoy tools to update timecode, apply LUTs, change pixel aspect ratio, and more

Clone and Backup Camera Files

Resolve's clone tool copies media drives, memory cards, and camera packs to multiple simultaneous destinations
All copies are checksum verified to give you exact bit for bit digital copies of your source media

Metadata Tagging and Logging

Resolve stores the metadata from cameras and digital slates with the clips you add to your Media Pool
Add your own metadata templates and log data in real time and edit as soon as the camera stops rolling
Export metadata to an ALE file compatible with Media Composer and other systems in your workflow

Bins and Smart Bins

Create bins to organize your footage
Advanced search, sort, and sift tools help you quickly find the shots you're looking for
Create separate bins for source footage, sound effects, and VFX shots
Find shots in large projects by using search criteria based on whatever metadata you decide
Smart bins automatically update as you add and remove shots from Resolve

Audio Syncing

Manually or automatically sync your footage while you are still on set
Resolve's audio syncing tools will help create fast dailies

Works with Virtually Everything

Full unlimited editing and grading of DPX, CIN, EXR, QuickTime, ProRes, DNxHD, and MXF files all in real-time
Import TIFF, JPEG, MOV, TGA, BMP, and every other supported file just by dragging it in from the your desktop
Output H.264 for web streaming, self contained or single track MXF files, DCI compliant JPEG 2000, and more

Camera Support

Edit and grade directly from the wide dynamic range camera originals
Compatible with CinemaDNG raw, Alexa raw and Amira, R3D files including +5K, monochrome, and HDRx images
Also supports Cineform 3D, Phantom raw, GoPro, Nikon, C300/C500/1D/5D/7D, F65/F55/F5 raw (and XAVC variants), and more

Delivery

Creating Files for Editorial

De-bayer camera raw images and export ProRes or DNxHD files to editorial
Send an XML or AAF file back to Resolve, every time the cut changes
Resolve tracks the relationship between editorial files and the camera original raw masters
Instantly conforms the cut back to the highest resolution files available
Edit and grade at the same time, round trip files with editorial, and never lose any grading work

Creating Files for Visual Effects

Export EXR or DPX image sequences for visual effects work
As work in progress VFX shot sequences come back, create a folder for each day's VFX and link it to the timeline

Delivering Master Output Files

Output as the project appears on the timeline, or output individual graded source clips
Export a high quality graded program or individual clips sequentially by reel name and source timecode
Conform using original raw footage -- your final output is a first generation graded copy of the original files

Digital Cinema Package Files

Go from native camera raw to the silver screen in a single generation
Enter EasyDCP license and open additional DCP authoring features to generate a DCP for theatrical distribution

Delivering Files for the Web

Export a huge range of compressed QuickTime formats including H.264 directly from the delivery page
Author multiple files simultaneously from the timeline at different sizes/resolutions for custom delivery
Files exported from Resolve can be used as the final delivery master or recompressed by streaming software for web delivery

Render Queue

Create queues for outputting jobs at a variety of sizes and in dozens of different formats

Power

Super Computer Based Grading

Incorporate a multi-GPU off the shelf system such as the MacPro, or customize your own multi-GPU system
Speed can be based on expander chassis or large workstation class PCs with multiple clustered GPU cards
Multiple computers can also be linked via high speed 56 Gb/s InfiniBand links

Storage Area Network Collaboration

When collaborating with multiple people, a SAN is ideal for allowing everyone to access the same media
Storage area networks allow a high speed direct connection to shared storage
Resolve has the database and collaborative features to handle large SAN based workflows, so you can keep growing your facility

Specifikacije

System Requirements

Mac:
Mac OS X 10.10.3 Yosemite and 10.11 El Capitan
16 GB of system memory is recommended and 8 GB is the minimum supported
Blackmagic Design Desktop Video version 10.4.1 or later
CUDA Driver version 7.0.36
NVIDIA Driver version - as required by your GPU
RED Rocket-X Driver 2.1.31.0 and Firmware 1.4.1.16 or later
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later

Windows:
Windows 8.1 Pro 64 bit with SP1
16 GB of system memory is recommended and 8 GB is the minimum supported
Blackmagic Design Desktop Video version 10.4.1 or later
NVIDIA/AMD/Intel GPU Driver version - As required by your GPU
RED Rocket-X Driver 2.1.31.0 and Firmware 1.4.1.16 or later
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later

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