Kinefinity TERRA 4K Basic Package
by KinefinityTERRA, Smallest, Cine Camera with high performance, easy to be used like DSLR.
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Paket beinhaltet
TERRA, the smallest cinema camera with high performance, easy to be used like DSLR. Three models based on different CMOS imaging sensor: TERRA 4K/5K/6K. All models can work up to 100fps @4K Wide, 200fps@ 2K Wide, and record as Apple ProRes422HQ or lossless compressed RAW on standard 2.5″ SSD.
Powerful CMOS Sensor: Wide Colour Gamut and Latitude
TERRA 4K employs a whole-new CMOS image sensor featuring with Dual Native ISO : 3200/800 at 14 stops. It captures low-noise and wide-latitude images in regular scenes or low-light environment, easily. The high speed & low noise 4K CMOS image sensor has sub-S35 image format(the crop factor over FF as 1.85). The native frame rate of CMOS image sensor is up to 100fps, so the TERRA 4K can record 4K wide up to 100fps, 3K wide up to 150fps, 2K wide up to 240fps. At the same time, its rolling effect is very low due to its high native frame rate, even running at regular fps.
TERRA Lens mounts
TERRA has universal KineMOUNT as the native mount, but it should work with different types of adapters for lenses.
With KineMOUNT, you will get the maximum possibility for using different lens even with different mounts: using different mounting adapter on demand. Besides, just like attaching a lens, it is very easy and fast to attach the adapter to KineMOUNT with no need of adjusting FFD.
- PL mounting adapter II: For cinema PL lens;
- PL mounting adapter II with e-ND: For cinema PL lens with built-in electronic ND;
- EF Mounting Adapter II: For EF lens;
- EF mounting adapter II with KineEnhancer: For equivalent full-frame shooting with full-frame EF lens;
- EF Mounting Adapter II with e-ND: For EF lens with built-in electronic ND;
- SONY FE/E Mounting Adapter: For SONY FE/E lens, currently the E mounting adapter only supports full manual lenses like Fuji MK18-55, 50-135;
- Nikon F mounting adapter II: For Nikon lens;
- Nikon F mounting adapter II with KineEnhancer: For equivalent full-frame shooting with full-frame Nikon F lens.
Note: EF mounting adapter supports electronic iris-control, while Nikon F mounting adapter does not support electronic iris-control, but it can support only G lens iris-control by technical ring. In addition, individual mounting adapters are accessories, not included in the body when purchase.
Since 2014, every mount or mounting adapter made by Kinefinity is lock-type mount, like cinema PL mounting lock mechanism. It provides much better stability; fits very well in professional way when video shots using follow-focus gear.
ERRA model
TERRA has three models based on different CMOS sensors: TERRA 4K, TERRA 5K and TERRA 6K, with different body color as deep grey, titanium grey and black.
TERRA 4K as a new TERRA member, features with high speed & low noise 4K CMOS image sensor, sub-S35 image format(the crop factor over FF as 1.85). The native frame rate of CMOS image sensor is up to 100fps, so the TERRA 4K can record 4K wide up to 100fps, 3K wide up to 150fps, 2K wide up to 240fps. At the same time, its rolling effect is very low due to its high native frame rate, even running at regular fps. With the advanced CMOS process technology, the CMOS sensor has lower noise level, half of TERRA 6K, and its base ISO is up to 1600.
RESOLUTION, FRAME RATE AND CODECS
Image Format | Format | Resolution | Max FPS | Codec |
sub S35 | 4K Wide | 4096x1720 | 100 | ProRes or KRW |
4K | 4096x2160 | 75 | ProRes or KRW | |
4K HD Wide | 3840x1600 | 100 | ProRes or KRW | |
4K HD | 3840x2160 | 75 | ProRes or KRW | |
3.7K 4:3 Anamorphic | 3700x2800 | 50 | ProRes or KRW | |
2K Wide (Oversample) | 2048x860 | 100 | ProRes | |
2K(Oversample) | 2048x1080 | 75 | ProRes | |
2K HD Wide(Oversample) | 1920x800 | 100 | ProRes | |
2K HD(Oversample) | 1920x1080 | 75 | ProRes | |
sub M43 | 3K Wide | 3072x1200 | 150 | ProRes or KRW |
3K | 3072x1620 | 120 | ProRes or KRW | |
3K HD Wide | 2880x1200 | 150 | ProRes or KRW | |
3K HD | 2880x1620 | 120 | ProRes or KRW | |
sub S16 | 2K Wide | 2048x860 | 240 | ProRes or KRW |
2K | 2048x1080 | 196 | ProRes or KRW | |
2K HD Wide | 1920x800 | 240 | ProRes or KRW | |
2K HD | 1920x1080 | 196 | ProRes or KRW |
TECHNICAL SPECIFICATION
Camera Type | sub-S35mm Film-Style Digital Cinema Camera | |||
Imaging Sensor | 4K sub-S35mm Format CMOS | Crop factor over FF: 1.85 | ||
Shutter | Rolling Shutter | *Very weak rolling effect | ||
Lens Mount | Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters | *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer | ||
Record Formats | Codec Type | Codec Format | Bit Depth | |
Compressed Lossless KineRAW | .krw | 12bits | ||
ProRes422HQ/422/422LT/Proxy | .mov | 10bits | ||
Record Res | 4K | 3K | 2K | |
4096x2160 | 3072x1620 | 2048x1080 | 3700x2800 3.7K 4:3 | |
Max FPS | 100@4K Wide | 150@3K Wide | 240@2K Wide | |
Dynamic Range | 14 stops | |||
ISO/EI | Dual Native/Base ISO | Max | ||
3200 (from 1280) | 800 (below 1280) | 20480 | ||
Shutter Angle | 0.7°~358° | |||
Monitoring | KineMON Port x1 | HD Port x1 | SDI x2* | *Applicable on KineBACK |
Record Media | 2.5" SSD with 7mm Height | |||
Audio Capture | In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR | *Applicable on KineBACK | ||
Sync Function | Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* | *Applicable on KineBACK | ||
LUT | Preset: Neutral/Flat, Support Custom 3D LUT | |||
Power | Power In | Consumption | ||
DC IN 11~19V/SideGrip/V-Mount* | 21W | *Applicable on KineBACK | ||
Body Color | Titanium Grey | |||
Weight | 2.1 lb / 990 g | *Only Body | ||
Size | 4.5x4.3x3.7" / 115x110x95 mm | *W/o projections, WxHxL | ||
Operating Temp | 0°C to +40°C |